Horror Comics & Graphic Novels

UiiSiil

; | STORIES TO
SHOCK YOU!
GHOSTLY TALES
OF SUSPENSE
AND TERROR!

“The Monster of Dread End...”

Originally Published: “ Ghost Stories ” #1, Dell Comics, September 1962
Writer: John Stanley
Art By: Ed Robbins

Submitted by: E.M. Tonner

Preface

The year was 1962.

The Beatles had signed with Brian Epstein earlier in the year and released their debut single,
“Love Me Do”. In response to the Soviet Union agreeing to remove its missiles from Cuba, US
President John F. Kennedy ends the quarantine of the Caribbean nation. Film actress and sex icon,
Marilyn Monroe is found dead in her Los Angeles, California home after apparently overdosing
on sleeping pills. Amazing Fantasy issue 15 (the first appearance of Spider-Man) is released in
August. Dell Comics releases “Ghost Stories” #1 one month later. The Comics Code Authority
had been in effect for eight years.

Dell Comics never joined the Comics Code Authority. Their comics were clearly intended for
young children, having the Disney license as well as other children’s properties. Dell refused to
join the Code and instead began publishing in its comics a "Pledge to Parents" that promised their
editorial process "eliminates, rather than regulates, objectionable [sic] material" and concluded
with the now classic credo "Dell Comics Are Good Comics." 1

However, 1962 was a transitional year for Dell. The long partnership Dell Comics had held with
Western Publishing dissolved. Western decided to create its own in-house comic publishing
company, Gold Key Comics. With the departure of Western went the Disney and Warner Bros,
licenses and left Dell Comics at a crossroads. Not only had it lost a large portion of its licensed
titles, many artists and writers had followed the titles to Gold Key Comics.

One writer who didn’t jump ship was John Stanley. Fans of comics will associate John Stanley
with “Little Lulu” and “Nancy and Sluggo”. He scripted “Little Lulu” from 1945 to 1959 as well
as providing the artwork with Irving Tripp. With the loss of most its licensed titles, Dell knew
they had to come up with something fast. They also knew that the Code had left a rather large
vacuum in the field of horror comics. Simply put, there were none.

It was this set of unique circum s tances that led Dell to tap on the shoulder of Mr. John Stanley to
pen ONE issue of their new title “Ghost Stories”. The consummate professional, John Stanley
pulled off one of the greatest horror comic stories of all time. That’s right, he only wrote one issue
in what could be considered one of the greatest style departures in the history of comics. But you
will remember “The Monster of Dread End...” It had one of the greatest monsters in any scary
comic book ever.

Taken from the Wikipedia entry on Dell Comics.

^IME WAS... WHEN DREAD END, THEN KNOWN A5
HAWTHORN PLACE, WAS A BUSY, NOISY, HAPPY STREET
THAT ECHOED TO THE 50UNDOF CHILDRENS’LAUGHTER...

•THEN EARLY ONE MORNING-THE FIRST.
ONE... WAS FOUND...

WH-WHAT’S

THAT-?

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[MISSING/ hlERBfpiSj

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SET UP. 5 OH N VJ YOU'LL
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TOf HEN, A WEEK LATER,
W IT HAPPENED AGAIN,
THE PANIC-STRICKEN

INHABITANTS OF hawthorn
PLACE BEGAN TO FLEE,
SOME EVEN LEAVING
THEIR FURNITURE BEHIND..

BUT AGAIN THE TERROR STRUCK,

The few who remained, boarded up their

WIND0W5 AND DOUBLE LOCKED THEIR DOORS.

THE TWINS ARE

THAT OUGHT TO DO FT.

As THE YEARS WENT BY, FEARFUL RESIDENTS OF
NEIGHBORING BLOCKS GRADUALLY MOVED AWA V,
UNTIL FINALLY, DREAD END WAS SURROUNDED ON
ALL SIDES BY OTHER SILENT, EMPTY BLOCKS...

Completely baffled, the authorities could
ONLY EVACUATE THE REMAINING TENANTS,
AND DECLARE THE STREET OUT OF BOUNDS TOj

ALL jjfT"—,, -Jt

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Th-E HOUR'S 5RAG BY, BUT HD S0U"JD DISTURB
72E UtfAFTHlT QUIET OF ~H.E DEAF, DE5ER.TE? STEELT-

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SLITHE&S OUT OF THE MANHOLE..

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TQHVAEP ME:

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EMT_E55... BUT TkE MORE TRAT COY.cS OUT, TkE
FARTHER AWAY IHt HANP IS -SStTiNj... Ijuf .il

ThEK.TO JINWiV'S BELIeF, IT TURNS
AWOKOPE5 .75 WAX OJT OF 5'OUT..

Then A sprrh sense warns jwh-

BUTTON LATE—THE WQNSTER HAS FOlLUg CJ In I wv V

For a whilc jimaw somehow makaqes to duck

AK D PODGE THE LIGH’^'NG —LIKE TREATS
—Hr -HI^.GLL £-. WV...9L7 ~Hh PSD i4 IhlEY 7ASLE...

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and closed ohtwn Aifl... irgp-i

— CEHTAIK 0* 5T5' PfcEV
THE CL few HOVERS. T .

SytJPEHLT A SHATTERING SERIES OF EJiPLO^DNS TEAR TH£ HI^HT APAH.T/..

Then silence again... jmm oreas .

HIS EVES,.. ANO STARES DOWN M TH,= ■

^ E AT U.V.P ClV/.,. j i(J EVOU ALl '

j r i gut, eov?

SORRY YJE .HAD TP LET IT SO SO fAR- BUT WE W*'
A?> i-.l.UCH OF FT DL7 iNTHc OPEN AS POSSIBLE, .C
V JL L ,'.AKE SURE!

you WERE
kHEfiE A--THE
IL TIME..?®

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OPENINGS IN THE PALlA... ITS FE
& 3-v ABSORPTION-- AFTER ^
=-r CRU5ULNG IT T 5 VICTIM--. J

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FOR YEARS, SQK-A >'eA3-s tOWQER if ¥0U-
BS=Z*g ?9 HAD N' T SHOWN UPf,

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NEVER CAW.E CUT FAR ENOUGH... |TC' ■FF'iSF
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SPEED 50 LIGHTHlHG-LllCE AE DIET
LV WANT 70 CSSf OKLV WOIIBDINIS IT AM?
j^^_L“TTiNQ T GET WAV... /--T

PIP YOU
KNGW-j

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TD£J. J i

Afterword

I have my own pet theory. After so many issues and so many years of “Little Lulu”, there’s going
to be an opposing reaction in which the creative mind will seek to balance itself. The impulse to
lash out in a dark and terrifying ma nn er must have been overwhelming. “Horror” and “Comedy”
as genres aren’t really that different. They’re both emotional. The pacing is often similar. After
contributing to a giant sized “Tales from the Tomb” issue one month later, Stanley continued to
branch out and by writing and drawing his own titles for Dell such as “Thirteen Going On
Eighteen”, “Melvin Monster” and others. He was done with pure horror. Mission accomplished,
the creative cosmos were once again at peace and The Beatles were free to conquer America...

There’s a great story about John Severin and his time with E.C. John Severin wouldn’t work on
the horror titles (he didn’t like drawing them). He drew fantastic war and sci-fi stories instead.
Then someone in the office said he couldn ’t draw horror. John Severin went home, drew some
horrific blood and guts art, and mailed it to Bill Gaines. Bill Gaines threw up when he saw it. You
see, it’s not that Severin couldn’t draw horror, he just didn’t want to.

For those of you interested in the voluminous and amazing works of John Stanley, Frank M.
Young has a great blog dedicated to Stanley:

http://stanleystories.blogspot.com/

“The only certain freedom's in departure. ”

- Robert Frost

Reprinted In:

Ghost Stories (Dell, 1962 series) #21

The Mammoth Book Of Best Horror Comics (Running Press Book Publishers, 2008 series)